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kvetchlandia:

Dmitri Kasterine     Kurt Vonnegut, London       1981
“Here we are, trapped in the amber of the moment. There is no why.”  Kurt Vonnegut
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kvetchlandia:

Dmitri Kasterine     Kurt Vonnegut, London       1981

“Here we are, trapped in the amber of the moment. There is no why.”  Kurt Vonnegut

(via yama-bato)

Source: kvetchlandia

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likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
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likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
Zoom Info
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
Zoom Info
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
Zoom Info
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
Zoom Info
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
Zoom Info
likeafieldmouse:

Zhang Xiangxi
“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art. 
Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”
Zoom Info

likeafieldmouse:

Zhang Xiangxi

“A series of hollowed-out television sets frame beguiling scenes imagined in Xiangxi’s works, begun while studying sculpture at the Guangzhou Academy of Fine Art.

Situated in a small creative community in Hei Qiao Cun on the northeastern edge of the city, his studio is littered with second-hand appliances like washing machines, which become the sites of miniature worlds inspired by locations such as his old workspace in Guangzhou, the workers’ dormitory he once lived in, his parent’s sitting room, the interior of a train carriage—even his dream home. They are replicas rendered faithfully, but playfully, often using the cement, brick, glass, stone or paper materials found in their life-sized equivalents.”

  • 4 days ago > likeafieldmouse
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thingsorganizedneatly:

SUBMISSION: my mother and all of her ladybug treasures.  
ed: Belated happy mother’s day!
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thingsorganizedneatly:

SUBMISSION: my mother and all of her ladybug treasures.  

ed: Belated happy mother’s day!

  • 4 days ago > thingsorganizedneatly
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visicert:

Hypo Alpe-Adria Bank, Austria by Iqbal Aalam on Flickr.
Hypo Alpe-Adria Bank, Austria morphosis
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visicert:

Hypo Alpe-Adria Bank, Austria by Iqbal Aalam on Flickr.

Hypo Alpe-Adria Bank, Austria

morphosis

(via cinoh)

Source: visicert

  • 4 days ago > visicert
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poete:

Pierre Mornet
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poete:

Pierre Mornet

(via la-stradas)

Source: imnotlarry

  • 4 days ago > imnotlarry
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(via la-stradas)

Source: fuckyeahbodypositivity

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fisiologiadelgusto:
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fisiologiadelgusto:

Source: ffffound.com

  • 4 days ago > ericacraig
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picnicminded:

wtfimnothere:

hereimstanding:

olgie13:

“This gorgeous Hälssen & Lyon calendar is made of brewable tea. Each day is made of fine pressed wafer thin tea leaves.”

YES PLEASE!

Want

want this
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picnicminded:

wtfimnothere:

hereimstanding:

olgie13:

“This gorgeous Hälssen & Lyon calendar is made of brewable tea. Each day is made of fine pressed wafer thin tea leaves.”

YES PLEASE!

Want

want this
Zoom Info
picnicminded:

wtfimnothere:

hereimstanding:

olgie13:

“This gorgeous Hälssen & Lyon calendar is made of brewable tea. Each day is made of fine pressed wafer thin tea leaves.”

YES PLEASE!

Want

want this
Zoom Info
picnicminded:

wtfimnothere:

hereimstanding:

olgie13:

“This gorgeous Hälssen & Lyon calendar is made of brewable tea. Each day is made of fine pressed wafer thin tea leaves.”

YES PLEASE!

Want

want this
Zoom Info
picnicminded:

wtfimnothere:

hereimstanding:

olgie13:

“This gorgeous Hälssen & Lyon calendar is made of brewable tea. Each day is made of fine pressed wafer thin tea leaves.”

YES PLEASE!

Want

want this
Zoom Info

picnicminded:

wtfimnothere:

hereimstanding:

olgie13:

“This gorgeous Hälssen & Lyon calendar is made of brewable tea. Each day is made of fine pressed wafer thin tea leaves.”

YES PLEASE!

Want

want this

Source: olgie13

  • 4 days ago > olgie13
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visual-poetry:

“fisches nachtgesang/fish’s night song” by christian morgenstern (1905) (+)
from the book “galgenlieder”
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visual-poetry:

“fisches nachtgesang/fish’s night song” by christian morgenstern (1905) (+)

from the book “galgenlieder”

  • 4 days ago > visual-poetry
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devilduck:

What we’re reading.
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devilduck:

What we’re reading.

(via cinoh)

Source: nevver

  • 5 days ago > nevver
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theonlymagicleftisart:

(Erik Larkins)
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theonlymagicleftisart:

(Erik Larkins)

(via definitelythewrongalice)

Source: theonlymagicleftisart

  • 6 days ago > theonlymagicleftisart
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berndwuersching:

Anemone canadensis
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berndwuersching:

Anemone canadensis

Source: valscrapbook

  • 6 days ago > valscrapbook
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fisiologiadelgusto:


…Wojciech Korkuc Korek via Rene Wanner’s Poster Page…
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fisiologiadelgusto:

…Wojciech Korkuc Korek via Rene Wanner’s Poster Page…

Source: marcedith

  • 6 days ago > marcedith
  • 30
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catherinewillis:

from my Paris studio.
title: SMART SLATE
materials: slate from a Brittany quarry, figtree branches , sugru , industrial felt, vetiver perfume.  May 2013
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catherinewillis:

from my Paris studio.

title: SMART SLATE

materials: slate from a Brittany quarry, figtree branches , sugru , industrial felt, vetiver perfume.  May 2013

(via workman)

Source: catherinewillis

  • 1 week ago > catherinewillis
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les-sources-du-nil:

Jerry Uelsmann
“Undiscovered Self”, 1999
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les-sources-du-nil:

Jerry Uelsmann

“Undiscovered Self”, 1999

(via workman)

Source: artribune.com

  • 1 week ago > les-sources-du-nil
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